‘In time the likeness will become apparent’: Rebecca Fortnum’s Feminist Copies' in R. Fortnum and A. Hunt, eds., Rebecca Fortnum: 'A Mind Weighted with Unpublished Matter' (London: Slimvolume, 2020), 4-21.
‘Egon Schiele’s Passion: Spirituality and Sexuality, 1912-15’ in Tobias Natter (ed), Egon Schiele: The Complete Paintings (Munich: Taschen, 2017), 196-297.
‘Confessional Painting: Recent Work by Chantal Joffe’ in Chantal Joffe (London: Victoria Miro, 2016).
‘Dead Men and their Naked Truths’ in Mary Doyle and Kate Macfarlane (eds), The Nakeds (Manchester: Cornerhouse, 2014), 12-29.
‘The Modernist Offence: Schiele and the Naked Female Body’ in Barnaby Wright and Peter Vergo (eds), Egon Schiele: The Radical Nude (London: Paul Holberton Publishing in association with The Courtauld Gallery, 2014), 30-49.
‘On Stage: The New Viennese’ in Facing the Modern: The Portrait in Vienna 1900, edited book (London: National Gallery Company in association with Yale University Press, 2013), 13-33.
‘Past Times and Present Anxieties at the Galerie Miethke’ in Facing the Modern, 35-61.
‘The Appeal of the Artist: Self Portraits by Klimt, Schiele and Schoenberg’ in Facing the Modern, 111-131.
‘Peter Altenberg: Authoring Madness in Vienna c. 1900’ in Journeys into Madness: Mapping Mental Illness in the Austro-Hungarian Empire, co-edited book with Sabine Wieber (New York: Berghahn, 2012), 109-129.
‘Scrutinised Bodies and Lunatic Utopias: Mental Illness, Psychiatry and the Visual Arts in Vienna, 1898-1914’ (with Leslie Topp) in Madness and Modernity: Mental Illness and the Visual Arts in Vienna 1900, co-edited book with Leslie Topp (London: Lund Humphries, 2009), 14-37.
‘Mad Modernists: Imaging Mental Illness in Viennese Portraits’ in Madness and Modernity, 46-65.